Dünya Sinemasında Akımlar, sinemanın coğrafyalara ve zamana yayılan yolculuğuna eşlik edecek bir el kitabı.
→ AFRİKA VE ORTADOĞU AKIMLARI
Afrika’da Erken Sinema Akımları
• Africa 50 (Afrique 50, René Vautier, France, 1950)
• Algeria in Flames(Algérie en flammes, René Vautier, Algeria, 1958–59)
• Being Twenty in the Aurès Mountains (Avoir vingt ans dans les Aurès, René Vautier, France, 1972)
• Les cinq gentlemen maudits (The Five Accursed Gentlemen, Luitz-Morat, France, 1919)
• The Girl From Carthage (La fille de Carthage/Aïn El-Ghazel, Albert Samama Chikly, 1924)
• The Gods Must Be Crazy (Jamie Uys, South Africa, 1980)
• The Man of the Niger (L’homme du Niger, Jacques de Baroncelli, France, 1939)
• A People on the March (Peuple en marche, Collective, Algeria, 1963)
• Pépé le Moko (Julien Duvivier, France, 1936)
• The Sin (Al-haram, Henry Barakat, Egypt, 1965)
İsrail İnfaz Sineması
• Avanti popolo (Rafi Bukai, 1986)
• Beyond the Walls (Me’Ahorei Hasoragim, Uri Barbash, 1984)
• Every Bastard a King (Kol Mamzer Melech, Uri Zohar, 1968)
• Fellow Travellers (Magash Hakesef, Yehuda Ne’eman, 1983)
• He Walked Through the Fields (Hu Halach B’Sadot, Yosef Millo, 1967)
• Hill 24 Doesn’t Answer (Giv’a 24 Eina Ona, Thorold Dickinson, 1955)
• Kippur (Amos Gitai, 2000)
• Siege (Matzor, Gilberto Tofano, 1969)
• The Vulture (Ha Ayit, Yaki Yosha, 1981)
• They Were Ten (Hem Hayu Asarah, Baruch Dienar, 1961)
İran Yeni Sineması
• Yakın Plan (Nema-ye Nazdik, Abbas Kiarostami, 1990)
• Cennetin Rengi (Rang-e khoda, Majid Majidi, 1999)
• Bisikletçi (Bicycleran, Mohsen Makhmalbaf, 1988)
• Kilim (Mohsen Makhmalbaf, 1996)
• Killing Mad Dogs (Sagkoshi, Bahram Beizai, 2001)
• Kirazın Tadı (Ta’m e guilass, Abbas Kiarostami, 1997)
• Zeytin Ağaçları Arasında (Zire darakhatan zeyton, Abbas Kiarostami, 1994)
• İki Kadın (Do zan, Tahmineh Milani, 1998)
• Under the Skin of the City (Zir-e poost-e shahr, Rakhshan Bani-Etemad, 2001)
• Rüzgâr Bizi Sürükleyecek (Bad ma ra khahad bord, Abbas Kiarostami, 1999)
Popüler Hint Sineması ve Film Müziği
• Awara (‘The Vagabond’, Raj Kapoor, 1951)
• Devdas (Bimal Roy, 1955)
• Dilwale Dulhania Le Jayenge (‘The Brave One Takes the Bride’, Aditya Chopra, 1995)
• Hum Aapke Hain Koun . . .! (‘Who Am I to You?’, Sooraj Barjatya, 1994)
• Lagaan (‘Tax’, Ashutosh Gowarikar, 2001)
• Mother India (Bharat Mata, Mehboob Khan, 1957)
• Mughal-e-Azam (‘The Emperor of the Mughals’, K. Asif, 1960)
• Pyaasa (‘The Thirsty One’, Guru Dutt, 1957)
• Satya (‘Truth’, Ram Gopal Varma, 1998)
• Sholay (‘Flames’, Ramesh Sippy, 1975)
→ ASYA AKIMLARI
Çin Melodramı
• Comrades, Almost a Love Story (Tian mi mi, Peter Chan, 1997)
• Fly Me to Polaris (Xing yuan, Jingle Ma, 1999)
• Happy Together (Chunguang zhaxie, Wong Kar-wai, 1997)
• He’s a Woman, She’s a Man (Jinzhi yuye, Peter Chan, 1994)
• Hold You Tight (Yue kuai le, yue duo luo, Stanley Kwan, 1998)
• In the Mood for Love (Huayang nianhua, Wong Kar-wai, 2000)
• Lan Yu (Stanley Kwan, 2000)
• Rouge (Yanzhi kou, Stanley Kwan, 1989)
• Springtime in a Small Town (Xiao cheng zhi chun, Tian Zhuangzhuang, 2002)
• Tempting Heart (Xin dong, Sylvia Chang, 1999)
Japon Korku Sineması
• Audition (O-dishon, Miike Takashi, 1999)
• Battle Royale (Batoru rowaiaru, Fukasaku Kinji, 2000)
• Godzilla (Gojira, Honda Ishiro-, 1954)
• Guinea Pig Series (Za ginipiggu, eight episodes; Satoru Ogura et al., 1988–93)
• Kwaidan (Kaidan, Kobayashi Masaki, 1964)
• Urotsukidoji: Legend of the Overfiend (Chojin densetsu Urotsukidoji,Takayama Hideki, 1989)
• Onibaba (Shindo- Kaneto, 1964)
• Ringu (Ring, Nakata Hideo, 1998)
• Tetsuo: The Iron Man (Tsukamoto Shinya, 1990)
• Uzumaki (Higuchinsky, 2000)
→ AMERİKAN AKIMI VE ULUS-ÖTESİ AKIMLAR
Amerikan ‘Yeni’ Sineması
• 2001, A Space Odyssey (Stanley Kubrick, 1968)
• Bonnie and Clyde (Arthur Penn, 1967)
• Breathless (À bout de souffle, Jean-Luc Godard, 1960)
• The Conversation (Francis Ford Coppola, 1974)
• Faces (John Cassavetes, 1968)
• Four Hundred Blows, The (François Truffaut, 1959)
• Mean Streets (Martin Scorsese, 1973)
• McCabe and Mrs. Miller (Robert Altman, 1971)
• Taxi Driver (Martin Scorsese, 1976)
• The Wild Bunch (Sam Peckinpah, 1969)
Küresel Bir Sanat Olarak Footage İçeren Sinema
• Alone. Life Wastes Andy Hardy (Martin Arnold, 1998, Austria)
• The Atomic Cafe (Jayne Loader, Kevin and Pierce Rafferty, 1982, USA)
• Domweg gelukkig (‘Meanwhile Somewhere..., 1940-43’, Péter Forgács, 1994, Hungary)
• From the Pole to the Equator (Yervant Gianikian and Angela Ricci Lucchi, 1986, Italy)
• A Movie (Bruce Conner, 1958, USA)
• Rose Hobart (Joseph Cornell, 1936, USA)
• Society of the Spectacle (Guy Debord, 1973, France)
• A Song of Air (Merilee Bennett, 1987, Australia)
• Tom, Tom, the Piper’s Son (Ken Jacobs, 1969, USA)
• Tribulation 99: Alien Anomalies Under America (Craig Baldwin, 1991, USA)
