Dünya Sinemasında Akımlar, sinemanın coğrafyalara ve zamana yayılan yolculuğuna eşlik edecek bir el kitabı.
→ I. AVRUPA AKIMLARI
Alman Dışavurumculuğu
• The Cabinet of Dr. Caligari (Das Kabinett des Doktor Caligari, Robert Wiene, 1919)
• Dr. Mabuse, the Gambler (Dr. Mabuse, der Spieler – Ein Bild der Zeit, Fritz Lang, 1922)
• The Golem (Der Golem, Paul Wegener, 1920)
• The Joyless Street (Die Freudlose Gasse, G. W. Pabst, 1925)
• Metropolis (Fritz Lang, 1926)
• Nosferatu (Nosferatu, eine Symphonie des Grauens, F. W. Murnau, 1922)
• The Student of Prague (Der Student von Prague, Henrik Galeen, 1926)
• Variety (Varieté, E. A. Dupont, 1925)
• Warning Shadows (Schatten-Eine nächtliche Halluzination, Arthur Robison, 1923)
• Waxworks (Das Wachsfigurenkabinet, Paul Leni, 1924)
İtalyan Yeni Gerçekçiliği
• Bitter Rice (Riso amaro, Giuseppe De Santis, 1948)
• The Bicycle Thief (Ladri di biciclette, Vittorio De Sica, 1948)
• The Earth Trembles (La terra trema, Luchino Visconti, 1948)
• Miracle in Milan (Miracolo a Milano, Vittorio De Sica, 1951)
• Obsession (Ossessione, Luchino Visconti, 1942)
• Open City(Roma, città aperta, Roberto Rossellini, 1945)
• Paisan (Paisà, Roberto Rossellini, 1946)
• Shoeshine (Sciuscià, Vittorio De Sica, 1946)
• Umberto D. (Umberto D., Vittorio De Sica, 1952)
• Voyage in Italy (Viaggio in Italia, Roberto Rossellini, 1953)
Fransız Yeni Dalgası
• Adieu Philippine (Jacques Rozier, 1963)
• Le beau Serge (Claude Chabrol, 1959)
• Breathless (À bout de souffle, Jean-Luc Godard, 1960)
• Cléo from 5 to 7 (Cléo de 5 à 7, Agnès Varda, 1962)
• The Cousins (Les cousins, Claude Chabrol, 1959)
• Hiroshima mon amour (Alain Resnais, 1959)
• Jules and Jim (Jules et Jim, François Truffaut, 1962)
• Lola (Jacques Demy, 1961)
• Shoot the Piano Player (Tirez sur le pianiste, François Truffaut, 1960)
• Vivre sa vie (Jean-Luc Godard, 1962)
İngiliz Yeni Dalgası
• The Entertainer (Tony Richardson, 1960)
• A Kind of Loving (John Schlesinger, 1962)
• The Leather Boys (Sidney J. Furie, 1963)
• The Loneliness of the Long Distance Runner (Tony Richardson, 1962)
• Look Back in Anger (Tony Richardson, 1959)
• The L-Shaped Room (Bryan Forbes, 1962)
• Room at the Top (Jack Clayton, 1959)
• Saturday Night and Sunday Morning (Karel Reisz, 1960)
• A Taste of Honey (Tony Richardson, 1961)
• This Sporting Life (Karel Reisz, 1963)
→ II. MERKEZ, DOĞU VE KUZEYDOĞU AVRUPA AKIMLARI
Çekoslovak Yeni Dalgası
• All My Good Countrymen (Vsichni dobrí rodáci, Vojtech Jasny´, 1968)
• Closely Observed Trains/Closely Watched Trains (Ostre sledovanévlaky, Jirí Menzel, 1966)
• Daisies(Sedmikrásky, Vera Chytilová, 1966)
• Diamonds of the Night (Démanty noci, Jan Nemec, 1964)
• The Firemen’s Ball (Horí, mápanenko, Milos Forman, 1967)
• Intimate Lighting (Intimní osvetlení, Ivan Passer, 1966)
• The Joke (Zert, Jaromil Jires, 1969)
• A Blonde in Love/Loves of a Blonde (Lásky jedné plavovlásky, Milos Forman, 1965)
• The Party and the Guest/A Report on the Party and the Guests(O slavnostiahostech, Jan Nemec, 1966)
• A Shop on the High Street/The Shop on Main Street (Obchod nakorze, Ján Kadár and Elmar Klos, 1965)
Danimarka Dogması
• The Celebration (Festen, Dogma no. 1, Thomas Vinterberg (uncredited), 1998)
• Dancer in the Dark (Lars von Trier, 2000)
• The Idiots (Idioterne, Dogma no. 2, Lars von Trier (uncredited), 1998)
• Italian for Beginners (Italiensk for begyndere, Dogma no. 12, Lone Scherfig (uncredited), 2000)
• Julien Donkey-Boy (Dogma no. 6, Harmony Korine (uncredited), 1999)
• The King Is Alive (Dogma no. 4, Kristian Levring (uncredited), 2001)
• Kira’s Reason – A Love Story (En kærlighedshistorie, Dogma no. 21, Ole Christian
• Madsen (uncredited), 2001)
• Lilja 4-Ever (Lukas Moodysson, 2002)
• Mifune (Mifune sidste sang, Dogma no. 3, Søren Kragh-Jacobsen (uncredited), 1999)
Komünizm Sonrası Sinema
Melodramlar
• Burnt By the Sun (Utomlyonnye solntsem, Nikita
Mikhalkov, 1995, Russia)
• Erotikon (Gustav Machaty´, 1929, Czechoslovakia)
• Granny (Baboussia, Lidia Bobrova, 2003, Russia-France)
• Kolya (Jan Sveˇrák, 1996, Czech Republic)
• Meseautó (‘Dream Car’, Béla Gaál, 1934, Hungary)
Mafya Gerilimleri
• Brother (Brat, Aleksei Balabanov, 1997, Russia)
• Pigs (Psy, Wladyslaw Pasikowski, 1992, Poland)
• Sisters (Syostry, Sergei Bodrov, Jr, 2001, Russia)
Milliyetçi Epikler
• Khan Asparoukh (‘681 The Glory of the Khan’, Ludmil Staykov, 1981, Bulgaria)
• Pan Tadeusz (Andrzej Wajda, 1999, Poland)
• With Fire and Sword (Ogniem i mieczem, Jerzy Hoffman, 1999, Poland)
→ III. GÜNEY AMERİKA AKIMLARI
Cinema Novo Sonrası Brezilya Sineması
• Behind the Sun (Abril Despedaçado, Walter Salles Jr, 2001)
• Bossa Nova (Bruno Barreto, 2000)
• Bus 174 (Ônibus 174, José Padilha, 2002)
• Central Station (Central do Brasil, Walter Salles Jr, 1998)
• Chronically Unfeasible (Cronicamente Inviável, Sérgio Bianchi, 2000)
• City of God (Cidade de Deus, Fernando Meirelles and Kátia Lund, 2002)
• Foreign Land (Terra Estrangeira, Walter Salles Jr, 1995)
• Four Days in September(O Que É Isso, Companheiro?, Bruno Barreto, 1998)
• God Is Brazilian (Deus É Brasileiro, Carlos Diegues, 2003)
• Me You Them (Eu Tu Eles, Andrucha Waddington, 2000)
• Orfeu (Carlos Diegues, 1999)
• Possible Loves (Amores Possíveis, Sandra Werneck, 2001)
• Tieta of Agreste (Teita do Agreste, Carlos Diegues, 1996)
Arjantin Yeni Sineması
• Kötü Zamanlar (Bad Times / Mala época, Nicolás Saad, Mariano De Rosa, Salvador Roselli, RodrigoMoreno, 1999)
• Buenos Aires Vice Versa ,Alejandro Agresti, 1996
• Crane World (Mundo Grúa, Pablo Trapero, 1999)
• Fine Powder (Picado Fİno, Estebán Sapir, 1998)
• Freedom (La Libertad , Lisandro Alonso, 2000)
• Historias Minimas (Carlos Sorín, 2002)
• Nine Queens (Nueve Reinas, Fabián Belinski, 2000)
• Pizza, Beer, Smokes (Pizza, Birra, Faso, Bruno Stagnaro, Adrián Caetano, 1998)
• Silvia Prieto (MartínRejtman, 1998)
• The Swamp (La ciénaga, Lucrecia Martel, 2001)
